Una hoja en la tormenta pdf1/1/2023 ![]() ![]() Cet article décrit les usages politiques de l'éros et du deuil dans l'ouevre Canto a su amor desaparecido (Santiago: Metropolitana) du poete chilien Raúl Zurita écrit en 1985. ![]() At the same time, Zurita's work distinguishes itself from that of his contemporaries writing against the dictatorship by proposing love as a transcendent, objective reality: a Tao or universal which neutralizes the regime's aims. The situational conflation of these two paradoxes allows love to act as a refraction against the regime's appropriation of history and public discourse. Zurita's critical strategy exploits two paradoxes: the reality of eros as both spatializing and universal, and the disappeared as both temporal and intemporal presences/absences. I argue that the poet relies on eros and mourning as the few remaining sources of shared meanings in Chile during the Pinochet dictatorship, which was characterized by a breakdown in communication. This article discusses the political uses of eros and mourning in Raúl Zurita's 1985 work Canto a su amor desaparecido (Santiago: Metropolitana). ![]()
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